But despite all the above , Romantic Expressionism was my all time favourite episode , Emily Dickinson once said that when she read something or saw something that moved her , she knew it was Art because it caused ripples in her psyche and she would never forget the feeling.( Unless she got Dementia in her old age)
There is a scene where the Study Group discuss the prospect of romantic relationships blossoming between them , because after all it's not exactly incestous because they are in fact not a "real family" and they can date each other.
Community |
Thus the foreshadowing ensues , and they stare each other in what I can only describe as geekly epic , Abed played by actor Danny Pudi is sensational. The prospect of Annie and Jeff really became a cliffhanger for me after this episode , also the tweepop soundtrack in the background (By Ludwig Goransson) may have something to do with it. In my defence , no one can resist The Weepies. If that's not a romantic moment what is?
Jeff and Annie |
The prospect of a love interest ... with just a reclusive little stare and subtle smile and how similar this line sounds to an alternative rock band lyric(The Smiths , The Killers any other The" Bands") now that's stuff dreams are made of. I'm a little like Abed and I wish life was like Television with a clear script and logical love interests , and most importantly likeable leading men because in real life dating can be awkward.
But I have to keep hoping that I'll find that sweet spot - a stare that expresses exactly how I feel in 3 seconds...
I'll practice my Disney Face in the meantime.
Best Quotes from Romantic Expressionism:
Annie: We haven't even kissed!
Pierce:That doesn't mean you're not having sex.
Shirley: Does anyone get specific about me?
Pierce: Check your e-mail.
Shirley: I mark you as spam.
Pierce: Who the hell is Pam?
Jeff: Fine, okay. I guess we're not really family. It's more complicated than that because unlike a real family there's nothing to stop any one of us from looking at each other as sexual prospects.
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